mixtapes for weathers and moods / music for good days and bad days


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2017. május 28., vasárnap

28-05-2017 10:18 # 54 selected ETHNiC FUSiON tracks # WmW 4h 03m


28-05-2017 10:18 # 54 selected ETHNiC FUSiON tracks # WmW 4h 03m Ondatrópica, Zoufris Maracas, Sarazino, Clinton Fearon, Warsaw Village Band, Criolo, Bambino, Alhousseini Anivolla, Raiz & Radicanto, Staff Benda Bilili,The Touré-Raichel Collective, Stefano Saletti & Piccola Banda Ikona, Janka Nabay & The Bubu Gang, Sotho Sounds, Krar Collective, Tango Crash



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http://www.deezer.com/playlist/1681171971

WmW label The player always plays the latest playlist tracks. / A lejátszó mindig a legújabb playlist számait játssza. 


Colombian musician, Mario Galeano, the force behind the band Frente Cumbiero, and English producer Will Holland (A.K.A. Quantic), have joined forces to create the Ondatrópica project.
This project, which is supported by the British Council, exists to explore and expand the tropical sound of Colombia in its rawest form and to marry it with the cool sound of London... The aim of exploring a musical path with these pioneers and visionaries from the 60s, 70s and 80s, is not about nostalgia, but is a reaffirmation of the validity and contemporariness of the concept. 
Ondatrópica
Tiene Sabor, Tiene Sazón (Mario Galeano / Nidia Góngora / Will Holland) 4:3
I Ron Man (Tony Iommi / Ozzy Osbourne) 2:52
Locomotora Borracha (Mario Galeano) 3:09
Ska Fuentes (Will Holland) 4:21
from Ondatrópica 2012


Inspired by both legendary French chanteurs and the sounds of their African heritage, Zoufris Maracas are an eclectic world music outfit who rose to fame with their humorous and poetic take on a wide range of social and political issues. 
Zoufris Maracas
Et Ta Mère 2:49
Prison Dorée 3:43
En Vélo Jusqu'au Sahara 2:36
from Prison Doree 2012
Named after the group of Algerian workers who migrated to France during the second half of the 20th century, Zoufris Maracas, aka childhood friends Vincent and Micho, introduced the world to their eclectic blend of gypsy swing, zouk, Afro-beat, and Cuban music with their 2012 debut album, Prison Doree. Inspired by both legendary French chanteurs Georges Brassens and Jacques Brel, and contemporary world music artists Manu Chao and Mathieu Boogaerts, its 15 socially-conscious poetic tracks...


Sarazino is the brainchild of Lamine Fellah, a musician, songwriter and producer whose nomadic life is reflected in the multicultural influences in his songs. Fellah is a true child of a globalized world and Sarazino’s music draws on reggae, Latin and African grooves, Arabic music and catchy, international pop to create an upbeat celebration of the diverse world we all share.
Sarazino
El Fugitivo (Lamine Fellah / Isidro García / Amparo Sánchez) 4:01
Lunes Vudu (Lamine Fellah / Isidro García / Stephen Newland) 3:55
Everyday Salama (Lamine Fellah / Isidro García / Sabina Sciubba) 3:48
Quiero (Lamine Fellah / Nadia Ruiz) 3:27
from Everyday Salama 2012




Like many reggae musicians who came of age in the late 1960s and early '70s, Clinton Fearon was a country boy who migrated to Kingston as a teenager in order to seek his musical fortune among the proliferating studios and sound systems of the big city. 
Clinton Fearon
One Love 3:31
Chatty Chatty Mouth 4:10
On The Other Side 4:56
from Heart And Soul 2012




Poland's post-communist music scene of the 1990s and 21st century has included everything from bubblegum Europop to death metal and black metal to jazz to traditional Polish folk. The music of the Warsaw Village Band could be described as contemporary Polish folk-rock; they are far from purists when it comes to Polish folk, but no one will accuse them of sounding like an American or British Top 40 group that just happens to have lyrics in Polish. Rather, the Warsaw Village Band have favored an approach that is rootsy yet experimental, combining Polish folk with a wide variety of non-Polish music -- some of it from other parts of Europe, some of it from North America, some of it from Africa and Asia. The Warsaw Village Band have not been afraid to take chances, and their long list of non-Polish influences has ranged from funk, soul, hip-hop, rock, and the blues to African music and Indian raga. They have incorporated Swedish polska (not to be confused with German polka) on occasion, and they have shown an awareness of Middle Eastern, Arabic, Jewish, Turkish, and North African music along the way. East European music (including Czech, Bulgarian, Romanian, and Baltic folk) has affected them as well.
Warsaw Village Band
Hey You, Yokel's Son / Ej Ty, Gburski Synie 3:41
My Fate / Moja Dolo 6:13
Jewesse Polka / Polka Żydóweczka 5:02
from Nord 2012


Kleber Gomes Cavalcante (1975), better known by stage names like Criolo Doido or Criolo, is a Brazilian singer of rap and soul. Criolo began rapping in São Paulo, in 1989, and until the early 2000 was almost unknown. In 2006, he released his first studio album, entitled 'Ainda há tempo' and founded the Rinha dos MC's, a place where there are weekly shows, graffiti and photography exhibitions and freestyle.
Criolo
Bogotá 4:39
Não Existe Amor Em SP 4:40
Freguês Da Meia Noite 4:07
from No Na Orelha 2011


Sekouba "Bambino" Diabate was born in a village 25 km from Siguri in the West African country Guinea, near the Malian border. Both his parents were griots, or "djeli", which is the word for blood in Mandinka. Sekouba Diabate's mother Marlama Samoura died young, Sekouba was not yet 3 years old, and he never got to know her properly. Still she became, through her songs, that Sekouba later heard on the radio, one of his most omportant musical inspirations...
Sekouba Bambino
Sinontena (Sekouba Bambino / Manu Lima) 3:53
Kiss Me (Sekouba Bambino) 4:21
Irréprochable (Sekouba Bambino) 5:10
from Innovation 2012
Sékouba Bambino comes back releasing Innovation in 2012, an album with a dancing atmosphere and a lusophone inspiration, under the auspices of famous producer Manu Lima’s who has composed with Sekou the strong single, Sinontena. (lusafrica)


R.U.T.A. project was an initiative of Maciek Szajkowski - leader of Warsaw Village Band and it is based on archaic lyrics from peasant songs of revolt against the exploitative feudal system. The top Polish committed rock vocalists were invited to this project: Paweł "Guma" Gumola (Moskwa), Robert "Robal" Matera (Dezerter), Nika (Post Regiment) oraz Hubert "Spięty" Dobaczewski (Lao Che). Music, performed on acoustic traditional instruments, is played by a great ensemble of folk musicians from Orkiestra Rivendell, Mosaic, Maćko Korba or Warsaw Village Band.
R.U.T.A.
Na Uschod 1:32
Batracka Dola 2:23
Pan Nas Męczył 4:35
from Na Uschod 2012


Alhousseini Anivolla is a Niger-born Tuareg guitarist and singer. As well as solo work, he is singer and composer with the nomad band Etran Finatawa.
Alhousseini Anivolla
Imoussanan 5:44
Imadanan Id'Madiakan 4:35
Talitin 4:29
from Anewal/The Walking Man 2012




Neopolitan musician Raiz and the Radicanto group from Bari released their first album together under the title Casa, meaning “home.” This common home is essentially the whole of the Mediterranean as, irrespective of whether they are playing Neopolitan, Spanish, Portuguese, Greek, Arab or Jewish music, they are able to deliver everything with the same authenticity and ear for a good tune. What’s more, Raiz has an astonishing voice, at once raw and full of heartstring-tugging emotion. It has taken more than ten years’ effort to find a common voice for fado, flamenco, rumba and the rest… and anyone hearing it will be hooked for good. 
Raiz & Radicanto
Gramigna 3:27
Respiro 3:52
La Rosa enflorese
from Casa 2012


Collective of paraplegic Congolese who formed in '00s outside the Kinshasa Zoo, went onto international acclaim. / Staff Benda Bilili is a group of Congolese street musicians who play a fusion of rumba, reggae, and vintage R&B. Formed by Ricky Likabu and Coco Ngambali, the band consists of four middle-aged paraplegics, all of whom were confined to wheelchairs after suffering polio as children, as well as several younger members. Roger Landu, who joined the group as a teenager, acts as a lead guitarist of sorts, playing instrumental solos on a one-string electric he built out of a tin can. The other younger members comprise the rhythm section...
Staff Benda Bilili
Osali Mabe (Staff Benda Bilili / Theo Nsituvuidi) 3:53
Bilanga (Staff Benda Bilili / Paulin "Cavalier" Kiara-Maigi) 4:27
Ne Me Quitte Pas (Staff Benda Bilili / Paulin "Cavalier" Kiara-Maigi) 4:16
from Bouger Le Monde! 2012
Staff Benda Bilili rightly made a splash with their first album and the tale behind it. The question was, though, how much depth did they have to sustain a career? On the basis of this sophomore release, the answer is plenty. There's a new drummer and lead guitarist, and the return of their percussionist, as well as a greater sharing of the vocal duties...



Vieux Farka Touré, the second son of the late Ali Farka Touré, inherited his mantle, but his father never wanted him to be a musician and endure the same problems he had. Instead, Ali forbade his son from playing music and decreed that he'd become a soldier. But a father's wishes can't always be law; some children are destined to follow in their father's footsteps. Vieux was drawn to music, and growing up in his father's hometown of Niafunké and the Malian capital, Bamako, he began playing percussion, growing adept on both calabash and drum kit in spite of his father's antipathy. In 1999 Vieux became a student at the National Arts Institute in Bamako, taking up his father's instrument, the guitar, and writing his own music.
The Touré-Raichel Collective
b. c. 1978, Kfar Saba, Israel. As a child Raichel played accordion but later switched to keyboards. Following military service, he worked as a counsellor with Ethiopian children and through this began exploring that country’s culture. He attracted attention working with pop singer Ivri Lider and soon decided to form his own band, the Idan Raichel Project.
Azawade (Idan Raichel / Vieux Farka Touré) 8:12
Experience (Idan Raichel / Vieux Farka Touré) 6:21
Hawa (Idan Raichel / Vieux Farka Touré) 7:00
Touré (Idan Raichel / Vieux Farka Touré) 4:06
from The Tel Aviv Session 2012
Full marks to both Vieux Farka Touré and Israeli keyboard player Idan Raichel for this very daring venture. Going into the studio with two other musicians -- on calabash and bass -- to improvise and see what happens takes not only skill but also plenty of guts. Did it pay off? From the material here the answer is a resounding yes. This isn't about ego, it's about conversation -- which also means plenty of listening. The musicians trade ideas, push each other along, and explore each other's cultures and ideas along the way. It's a sign of how far Touré has come, and how quickly, that he sounds completely confident in this situation and company, utterly holding his own. It's also an indication of how much music transcends any geographical borders and refuses to be placed easily in any pigeonhole. There are traces of jazz, blues, West Africa, and more, but they're subsumed in the completely different whole of the sound...



Musician and composer who plays traditional mediterranean instruments (bouzuki, oud, tzouras), acoustic, classic and electric guitars, piano, percussion, sampler, programming. He is the founder and band leader of Novalia and the Banda Ikona. He is also the musical director of two international ensemble: 7 Sóis Orkestra e Les Voix du 7 Sóis...
Stefano Saletti & Piccola Banda Ikona
"...writers, musicians, and singers with this much talent, sympathy and vision, it can be pure magic".
Ian Anderson - Folk Roots / A fascinating journey between the sounds and cultures of the Mediterranean sea in the research for a musical and lyrical language that unites its various populations. This is the idea behind the show of Stefano Saletti and the Piccola Banda Ikona A journey to rediscover the different types of music that tell the stories about the passion of the Mediterranean people. 
Piazza Tahrir (Stefano Saletti) 7:36
Procurade 'E Moderare feat. Ambrogia Sparagna (Stefano Saletti) 4:20
Wein A Ramallah feat. Hakeem Jaleela (Stefano Saletti) 4:01
El Ejercito Del Ebro (Stefano Saletti) 4:26
from Folkpolitik 2012
The sights and sounds of the Arab Spring arriving from the streets of Tunis, Cairo and Damascus, make the mind return to the 1970's, when a wind of freedom blew across Europe and swept away the authoritarian regimes in Spain, Greece and Portugal. Those squares are the same: the same faces, hopes, colours, sounds, songs...

Janka Nabay, an exile from Sierra Leone who fled to the U.S., is the undisputed king of bubu music. / Sierra Leone's Ahmed Janka Nabay is the undisputed king of the country's bubu music. Bubu is a centuries-old folk music with mysterious origins. It is typically performed for high ceremonial purposes, such as the processions held during Ramadan, but its roots precede Islam. Nabay began his career by playing reggae inspired by one of his idols, Bob Marley, but he also played bubu, whose folk form features instrumentation such as bamboo flutes and blowing on metal pipes (often auto exhaust and building conduit) and handmade drums.
Janka Nabay & The Bubu Gang
Feba 4:55
Tay Su Tan-Tan 4:23
En Yay Sah 4:21
from En Yay Sah 2012
Sierra Leonean vocalist and songwriter Janka Nabay and his Bubu Gang play a massively hybridized form of traditional bubu, an ancient ceremonial folk music indigenous to Nabay's country that predates Islam. Nabay was an established musician at home, a rock star who sold tens of thousands of records. After he fled his war-ravaged nation for the U.S., it took a full decade working menial jobs before he found his way to Brooklyn and formed this band. Its members come from Skeletons, Zs, Saadi, Chairlift, and Highlife. En Yay Sah is their full-length debut on Luaka Bop. While traditional bubu is played on bamboo flutes, metal pipes, and percussion instruments, Nabay's brand is pure 21st century dance music. Using electric guitar, keyboards, percussion (organic and synthetic), and electric bass, Nabay's voice and Boshra Al Saadi's backing vocals provide a constant, frenetic call-and-response pulse that adds a layer of rhythm (to an orgy of it already) as well as melody in these eight songs...

Sotho Sounds began as herd boys in the highlands of Lesotho. Isolated in the mountains they became determined to make something out of nothing and crafted instruments from wood, tin, scrap metal, car parts, inner tubes and wire.   The result was a mini homemade collection of four-string tin-can guitars, metal one-string fiddles and oil-barrel drums. Fused with soulful vocals, whistles, pumping accordion and stomping gumboot dancing they created their own songs inspired by gospel, township jive, hip-hop, reggae and traditional stories.
Sotho Sounds
Jerusalem 4:25
Mobopong 3:42
Something To Think About 5:06
from Junk Funk 2012
'a sound that is both innovative and traditional, an extraordinary mix ... a joyous cacophony' 4****stars/Top Of The World Songlines /  Junk Funk is Sotho Sounds debut album and perfectly captures the excitement and humorous bounce of their live performances. The eccentric band met whilst shepherding in the lofty hills of Lesotho, a landlocked enclave surrounded by the Republic of South Africa. Junk Funk is one of the first international recordings to come from Lesotho and is set to spread the unmistakeable Sotho Sounds worldwide. Sotho Sounds cite the influence of Basotho traditional music and South African pop, especially the bubblegum pop stylings of Brenda Fassie. Yet ultimately the band is remarkable because of their fierce innovative streak – they have literally built their music from the ground up. Their home-made sound bestows their music with a deeply personal edge – every fibre of the sound was crafted by them, from the slap of the strings, to the crash of drums, to the call of the voice. This is raw Sotho Sounds. Let the Junk Funk revolution begin.

Hailing from London via Addis Ababa, Krar Collective are a trio whose unique and powerful take on Ethiopian music has made them rising stars in the world music community. The musical keystone of the group is the krar, a traditional Ethiopian lyre with six strings...
Krar Collective
Guragigna 6:07
Ambassel 5:28
Konso 6:01
from Ethiopia Super Krar 2012
Before gaining fame while touring with Damon Albarn, the Krar Collective were a London-based trio that performed at weddings in the U.K.'s Ethiopian community. While their repertoire is based on traditional songs from their native land, the Krar Collective have created a unique style by radically reworking the material that creates a timeless appeal. The "krar" is an ancient lyre. The group's leader, Temesgen Zeleke, employs acoustic, electric, and bass krars, with organic percussion and other traditional instruments such as Ethiopian fiddles and flutes underscoring and on top of various vocalists in a variety of ranges. Vocals are full of collective cadences and long solo poems; musical stops and starts create an organic syncopation, and the krars can often sound very similar to guitars...

A Germany based Argentinian Experimental-Tango-Jazz-Electronica fusion group with a strong emphasis on jazz and electronica. 
Tango Crash
Accidente De Tango 5:06
Dogstep 5:27
Molinga Laco 5:33
from Accidente de Tango 2012
Germany, Austria, & Switzerland






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